VIDEO.SCKRE
The starting point for this reinterpretation is the painting “Hunting Still Life with Partridges” by Willem van Aelst (1627-1683). The work comes from the art collection of the Kaiserschild Foundation and can be seen in the Alte Galerie of the Universalmuseum Joanneum.
Hunting spoils and symbolism
In his painting, Van Aelst presents a scene with hunted game birds - two partridges hanging upside down in the center. This motif is framed by hunting paraphernalia such as a feathered game and a decoy call, which refer to falconry, which was considered particularly prestigious in the Netherlands.
The partridge itself was not only a prized hunting prey because of its striking plumage, but also a popular motif. It was said to have an aphrodisiac effect - it was regarded as a symbol of Venus, the goddess of love. Van Aelst's depiction is characterized by high anatomical accuracy and attention to detail - both characteristics of fine painting, which was particularly cultivated in his home town of Delft. He is one of the most important representatives of the hunting still life of his time.
Art for biodiversity
The street artist duo VIDEO.SCKRE, known for their imaginative murals with plant and animal motifs, have created a modern reinterpretation on this basis. The focus is no longer on hunting, but on the dramatic decline in partridge populations. This observation inspired VIDEO.SCKRE to create a cycle of images that focuses on the cycle of nature and mankind and calls for a respectful approach to life.
